installations, sculptures & photography

My artistic practice is motivated by the need to articulate what I carry forth from my ancestral past and what I create from my own contemporary desire, as I generate a custom-made future of my own design. All aspects of my artworks are *custom-made* for the specific purpose of reimagining domestic standard systems and constructing tailored ones. Whether as simple as a shelf, or as involved as a house, we all have a desire to arrange our personal spaces according to our own tastes: a motivation connected to our personal psychological, emotive, and aesthetic concerns. The work is for myself, for my children, for my people, for future generations and for those that can find comfort in the familial aspects of the visual aesthetics of my designs. My practice is greatly inspired by my personal Mexican upbringing; equally influenced by the folk art of central Mexico where my grandparents settled, and the domestic aesthetics of borderland living between Mexico and the United States. Generated from these experiences, my work possesses encoded knowledge that creates an in-between, surreal environment birthing a *culture of its own*. In many of my installations, Mexican brutalist architecture confronts domestic interior design aesthetics, and creates familiar, uncanny spaces where the viewer can observe the psychological connections between the disparate elements of the artworks.

  • The Place 2022.

    In the body of work Place/Lugar, the viewer is encouraged to observe the merging of time and space, memories, cultural designs and experiences.

    Place/Lugar consist of 5 separate but interconnected pieces. In this body of work exist the individual pieces, Children Vessels, Brujas/Witches, Portal, Guerreritos Espaciales/Little Space Warriors, and Lupa/ Magnifying Glass.

    These 5 arrangements are each composed of 2 elements; a ceramic sculpture that speaks of my Heritage in the form of ancient Mesoamerican design and traditions, as well as the supporting modernistic functional domestic furniture.

  • Hybrid 2021.

    Hybrid is The tile of this series. Hybrid comes from the idea of merging cultural aesthetics , old and new systems of beliefs as well as the physical aspects of primitive and contemporary ways of working with clay, in this way I utilize 3-D clay prints in a metaphorical way in juxtaposition of hand built ceramic sculptures.

    I also explore the idea of memory, and how we remember important characters in in American and Mexican cultures, here we have the deity vs the monument,

    In the past statues, idols and monument served as representation, time markers and story holders, now we store and organize these Narratives a little differently in our minds, which takes me to explore the way we archive experiences in the 21st century.

  • UNROOTED 2020.